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It happened in 1973....


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Linda Blair in 'The Exorcist' (1973)

 

The Exorcist opened on December 26, 1973, the studio executives at Warner Bros. added a new kind of yuletide tot into the mix: Regan MacNeil, a demonic teen famous for her distaste for pea soup and unholy attitude toward religious relics. Here are some fascinating facts about William Friedkin's groundbreaking horror film.

 

THE EXORCIST IS BASED ON A TRUE STORY.

William Peter Blatty’s novel is based on the real-life 1949 exorcism of a young boy, known by the pseudonym Roland Doe. The story became national news, and caught the interest of Blatty, who was a student at Georgetown University at the time (hence the change in location).

 MERCEDES MCCAMBRIDGE PROVIDED THE VOICE OF THE DEMON.

Sounding like a demon has its downsides. In the case of McCambridge, she believed that chain smoking and a diet of raw eggs and whiskey were the key to a great vocal performance.

PIG SQUEALS WERE A KEY PART OF THE SOUND DESIGN.

Much of Regan’s moaning and grunting were created by remixing pig squeals. When the demon is finally exorcised from her body, the sound you hear is a group of pigs being led to slaughter.

IT WAS THE FIRST HORROR FILM TO BE NOMINATED FOR A BEST PICTURE OSCAR.

The horror genre has never gotten much love from the Academy. Though there still seems to be a bias against scary movies during awards season, The Exorcist earned 10 Oscar nominations in 1974, including a Best Supporting Actress nod for Linda Blair, who was just 15 years old at the time. Unfortunately, the teenager’s nomination was met with much controversy as word about McCambridge’s contribution to the role spread. 

MARLON BRANDO WAS THE STUDIO’S FIRST CHOICE FOR FATHER MERRIN.

It was Friedkin who vetoed this decision, believing that any movie starring Marlon Brando would immediately become a “Brando movie,” which would detract from the story at hand. The role eventually went to Max von Sydow.

MANY OF THE CAST AND CREW MEMBERS BELIEVED THE SET WAS CURSED.

Filming in the U.S. took place in both New York City and Washington, D.C. After a number of eerie incidents on the New York City set, including a studio fire that forced the team to rebuild the sets of the house interiors, Blatty and Friedkin regularly brought in a priest, Father King, to bless the cast, crew, and set when production moved to D.C. By the end of the film’s production, nine people associated with its making had passed away.

Edited by Grand Torino
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